New Essay in Guernica

I have a new essay up this week at Guernica, a magazine I’ve loved for quite some time. It’s an honor to appear in these pages, and I’m so deeply grateful to editor-in-chief Jina Moore for such thoughtful edits and care with this piece. This is really the only thing I managed to write in 2020, but I’m very glad I did.

Judging the Dzanc Prize for Fiction

Dzanc Books has just opened submissions for their annual Prize for Fiction, the Short Story Collection, and the Diverse Voices Prize, and I’m delighted to serve as judge for the Prize for Fiction alongside Tina May Hall and Jessie van Eerden. Having won the Short Story Collection Prize in 2012, I’m so excited for this opportunity to read and select a winning novel manuscript. Submissions are open until October 1, 2020 – please send us your most innovative novels!

Colgate Writers’ Conference

This week, I’m honored to be on faculty at the Colgate Writers’ Conference alongside such wonderful writers as CJ Hauser, Jennifer Brice, Naomi Jackson, Angela Palm, Brock Clarke, Jenny Xie, Kyle Bass, Greg Bottoms, Eduardo C. Corral, Carrie Brown, John Gregory Brown and Peter Balakian. I read Monday night with Naomi Jackson and Rachel Dickinson, and yesterday gave a craft talk on constellating images in fiction. I’m leading a novel-writing workshop and am delighted to be part of such a magical week of readings, craft talks and inspiration. Tremendous thanks to directors Jennifer Brice and Alison Fromme for bringing me on board this year!

New Fiction in Crazyhorse

I’m delighted to have new fiction in the Spring 2019 issue of Crazyhorse, a horror story about ticks called “Tick Season” (right in time for summer). The issue is jam-packed with excellent new poetry, fiction and non-fiction from Traci Brimhall, Alison Stine, Tory Adkisson, Erin Flanagan, Sarah Rose Nordgren and Nicky Beer, among many others. Huge thanks to to editors Anthony Varallo and Jonathan Bohr Heinen for including my work!

New Essay in Literary Hub

This week in Literary Hub, I have a new essay on why it’s so difficult to write about music in fiction, especially in a road-trip novel like The Desert Sky Before Us where Billie and Rhiannon presumably listen to hours and hours of driving playlists, and yet there is only brief mention of music throughout the book. Thank you to editor Emily Firetog for featuring this piece, and as a special bonus, there is a giveaway of the novel in the sidebar!